Listening to time through imagery is associated to the aesthetic eternity contained in a photograph. It is important to recognise that we are at the mercy of time; our finality anticipates an ephemeral existence, nonetheless, our steps make us feel that we are part of History. But what if everything we think we remember is fiction written by others? In a society where lies make us play different roles, it is increasingly difficult to recognise what is authentic in ourselves and, more importantly, what makes us human. Currently, as everything can be manipulated, we can no longer unquestioningly believe in our memories. And if memories were our compass, how can we find ourselves now?

Will be Lost in Time is a photographic essay inspired by the universe that Philip K Dick created with his novel, Do Androids Dream of Electric Sheep? and that Ridley Scott fixed in the memory of millions of viewers with his film Blade Runner. Photographer Eduardo Nave joins the dialogue by exploring our place in the notion of eternity. Concepts such as time and space can make us question the threshold of the infinite and especially when the point of focus is fixed on two initially antagonistic perspectives that end up coming together: that of a human being and that of a replicant. To explore this parallelism between the limits of time and life is to exercise our right to inhabit a space where an instant is suspended through photography. This allows us something as valuable as revealing the meaning of our own humanity through the attentive interpretation of what a camera can capture.