In 2010, I began to reflect on a new series, where I sought out to achieve a result somewhere between documentary photography and the staged photography I was accustomed to creating.

Works that were once direct shots of highly staged spaces began to incorporate new technologies, allowing me to further emphasise the dislocation of the elements I explore, while still retaining a certain sense of reality.

“A sociological and anthropological memory of the loss of identity in cities, a graphic historical record of local shops that are disappearing or on the verge of disappearing—neighbourhood stores that have been part of daily life for generations.”